Some serious infrastructure speculation. © Walt Disney Productions |
In many ways Disneyland’s
“Mars and Beyond” is the weakest of the Tomorrowland realm’s three space
exploration episodes. Of course, it’s airing a full two years after the first
two would seem to weaken the premise. For another thing, the first two
concentrated on extrapolating about technologies and realistic space programs
that were within our grasp (both in terms of its audience’s grasp as well as
the broader technological grasp), which gave the episodes an inherent
plausibility that translated as a rather real sense of anticipation. Also, by
its nature “Mars and Beyond” couldn’t help but be more fanciful and purely
speculative.
The show began as did “Man
and the Moon” with its first half concentrating on animation, this time divided
into three distinct parts: the first part described the history of humankind’s
relationship to the Red Planet, discussing its role in mythology and its allure
for Ptolemy, Copernicus, Galileo Percival Lowell, H.G. Wells and others; in
preparation for discussing the possibility of life on Mars, the second part has
a very nice summary of how life could have begun on earth and how evolution
would likely have transpired to eventually, in billions of years, cover the earth
with life.
But the third animated
part, introduced by Mars-authority Dr. E.C. Slipher who wondered if life may
already exist on the planet, was more problematic. Though ordered up
specifically by Disney himself to lighten the show for children, this third
animated sequence in my view was a waste of time. Even when I saw the program
when I was thirteen-year-old science fiction enthusiast, I was frustrated that
anyone could care about the preposterous cartoony wild speculations of what
life on Mars could be like “if the conditions were somewhat different.”
A few of the assorted Martians imagined by Disney animators. © Walt Disney Productions |
For those who would rather
see this sequence rather than merely read about it, here it is via YouTube:
©
Walt Disney Productions
The second half of the show describes what a manned voyage to Mars might be like. Dr. Ernst Stuhlinger with the aid of Dr. Wernher von Braun shows us his wild vision of a Mars-bound flotilla comprising six entirely unwieldy-looking umbrella-shaped ships. While presented in a pleasant semi-animated form, this vision is so far removed from what we have come to expect from the previous two episodes that it is hard to take seriously. Stuhlinger’s vision, as we have seen before in this series, presupposes that leisure is the coin of the realm and that there would be all the manpower, time, and finances in the world to build his fleet. Again, here is this nice, almost dreamy sequence, again via YouTube:
Going to Mars in a fleet of umbrella-shaped spaceships.
© Walt Disney Productions
© Walt Disney Productions
Nevertheless, as sometimes
happens, it may be that the 2-year delay was unexpectedly fortunate. Time and
again, it often seems fate knows better than us poor people what is best for
us. In the case of the delay of the “Mars and Beyond” episode, it turned out
that there was a silver lining: The reason there was a two-year delay in the
airing of “Mars and Beyond” was that, as I said in Part 2 of this posting, there
was much political infighting between the Navy and the Army about which agency
would launch the first American satellite, causing Disney to delay production
of the program. However, on October 4, 1957, the Soviet Union put Sputnik in
orbit around the earth causing great American consternation and humiliation.
And to make matters worse, the Navy Vanguard rocket exploded on its launching
pad on December 6, 1957 (see Part 2). But, Disney had rushed to completion
“Mars and Beyond” and aired it just two days before on December 4, perhaps
giving America a much needed shot of confidence.
Here is the actual full-length episode!
© Walt Disney Productions |
Disney in Space and Beyond DVD collection.
For other takes on
Disney’s “Man in Space” trilogy from the points of view of another two space
film buffs, see Glenn Erickson’s Sci-Fi Savant and Gary Westfahl’s The Spacesuit Film.
USA.
Walt Disney Productions. BW/C. 1.33:1. 53m.
CREDITS:
Director Ward Kimball. Producer Ward Kimball. Story William Bosche, John Dunn,
Charles Downs, Con Pederson, Ward Kimball. Score George Bruns. Layout Design A.
Kendall O’Connor, John Brandt, Tom Yakutis. Cartoon Animation Julius Svendsen,
Arthur, Stevens, Jack Boyd, Charles Downs, John Dunn. Space Paintings William
Layne, Gordon Legg. Technical Advisors Dr. Ernst Stuhlinger, Dr. Werhner Von
Braun, Dr. E.C. Slipher. Models Wathel Rogers. Editors Lloyd Richardson, Lionel
A. Ephraim. Special Processes Eustace Lycett, Sound Robert O. Cook. Production
Supervisor Harry Tytle. Acknowledgement Lowell Observatory.
CAST:
Narrator Paul Frees. Host Walt Disney. Dr. E.C. Slipher Dr. E.C. Slipher. Dr.
Ernst Stuhlinger Dr. Ernst Stuhlinger. Dr. Wernher von Braun Dr. Wernher von
Braun.
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